Lot details

20. századi európai műhely

#50

Greyhound Art Deco

Inventory no.1294
Greyhound Art Deco
Lot 50
20. századi európai műhely3 images

Curators

Ács Érmes Károly

Ács Érmes Károly

curator

ermesprojekt@gmail.com

Ohnhaus Éva

Ohnhaus Éva

curator

eva.artdeco@gmail.com

Detailed description

The small sculpture depicts a slim greyhound with its head held high, in a watchful posture. The composition is based on a side view, with the body's curves guiding in an S-shape from its proud neck to the arched curve of its tail. The material is bronze, with a warm, golden patina; the convex surfaces are worn to a shine, while the recesses are darker, creating a strong contrast of light and shadow. The muscles and ribs are worked in a plastic, slightly stylized manner, with the simplified masses of the head and ears approaching the animal sculpture tradition, yet leaning towards the purity of 20th-century Art Deco. The studded collar evokes a noble, hunting milieu; the organic pedestal shape is natural, while the polished dark stone base adds a modern emphasis. The size is approximately 27.5 x 29.5 cm, suitable as a decorative sculpture for interiors. Overall, this work exists at the intersection of the French animalier tradition and Art Deco (1920s–1930s).

Key details:

  • Elegant, elongated proportions, S-curve composition

  • Warm golden-brown patina, with dark recesses

  • Characteristic greyhound head, simplified ears

  • Studded collar, hunting reference

  • Organic bronze base and separate dark stone pedestal

Attribution Candidates

No named creator; possible attribution candidates based on style and theme choice:

  • Irénée Rochard (active: 1920–1970) – Art Deco animal sculptures, slender, elegant dog depictions.

  • Max Le Verrier (1920–1940) – decorative Art Deco bronzes, often with marble bases.

  • Pierre Chenet (1940–1970) – elegant, slightly stylized animal figures, with warm patina.

  • Édouard-Marcel Sandoz (1910–1940) – simplified, stylistically pure animal sculpture.

  • Circle of François Pompon (1920–1930) – reduced forms, smoothed surface treatment.

  • Gaston d’Illiers (1890–1930) – hunting themes, greyhounds and horses in naturalistic formulation.

  • Circle of Pierre-Jules Mêne (1830–1870) – classical animalier, although this piece shows a more modern stylization.

  • Jean de Roncourt (1920–1935) – Art Deco animal forms, with pronounced body curves.

Among those listed, the French Art Deco circle of the 1920s–30s seems the most probable.